May 23, 2012
Nick Cave and the Bad Seeds announce fourth round of reissues
The National contributing to children's book app

May 22, 2012
Video: Sleigh Bells - "Demons"
How to Dress Well announces new album
Members of Spoon, Wolf Parade form Divine Fits
Preview: Lady Gaga's Simpsons Appearance
Listen: Lana Del Rey Posts New Song 'Never Let Me Go'
May 21, 2012
Merge to reissue Sugar catalog
Stream the new album by the Walkmen
May 18, 2012
Video: Alcest - "Les Voyages De L'Âme"
Antony and the Johnsons announce live album
Kurt Vile, Perfume Genius, others added to National-curated ATP
May 17, 2012
New York State Senate honors Adam Yauch
In 2008, Portishead made headlines by reuniting and releasing their first new album in 11 years. And they managed to keep fans' attention by releasing something significantly removed from the moody, cinematic and crackly beat-oriented pop they perfected in the '90s. They knew, perhaps better than most trip-hop outfits, that trip-hop had been a stagnant sound for some time. Very few artists have done much with trip-hop beats in the past ten years beyond pleasant atmosphere for a yoga class, but rarely anything truly captivating. But then along comes Phantogram, a duo from Saratoga Springs, N.Y., of all places, with an album of spectacular eerie pop, backed by, you guessed it, trip-hop beats.
The secret to Phantogram's success with crackly, old school sounding beats lies in the fact that they are not, themselves, a trip-hop group. There is very little about their Barsuk debut Eyelid Movies that suggests chillout sessions or cocktails at the W Hotel. Rather, they make atmospheric pop with a playfully mischievous side. Like the Yeah Yeah Yeahs remixed by J Dilla, or Björk's younger, American punk rock siblings, Phantogram create a cool, sultry hybrid ton Eyelid Movies, maintaining outstanding melodies while bolstering them with a darkly danceable side.
Leadoff track "Mouthful of Diamonds," with its odd siren sounds and thumping snare, sounds briefly as if it were plucked from 1995, but once its gorgeous guitar licks start, it becomes something else entirely. Sarah Barthel's vocals add a serene weightlessness to the song, complementing the distorted, yet warm synthesizers. The opening riff of "When I'm Small" is funky, but heavy on the reverb, approximating surf-disco, while "Turn It Off" rides a dense, one-note bassline that gives way to a pretty, if slightly off-kilter chorus. The bizarre vocal effects of "Running from the Cops" recall Brainiac, and the jerky rhythms of the title track take the album into gangsta dream pop territory that's oddly irresistible.
Reincorporating sampled and electronically-generated hip-hop beats into new contexts and configurations, Phantogram take the once-dated idea of trip-hop and funnel its elements into something brand new. Eyelid Movies is, more simply, a great indie pop record, and an awesome surprise from a band with some great ideas and even better songs.
Similar Albums:
Bear In Heaven - Beast Rest Forth Mouth
Yeah Yeah Yeahs - It's Blitz!
The Big Pink - A Brief History of Love
MP3: "When I'm Small"
Download at
Jeff Terich
03.04.2010
Follow Us!
Related Items
Support Treble!
Buy a limited edition screen-printed Treble poster and help support the best music magazine on the planet.
on Twitter
on Facebook
RSS Feed