Album of the Week
Every album that’s earned Treble’s coveted Album of the Week designation.
Andy Hull and company return with an album split between dualities of grief and life, maximalism and intimacy.
An excoriating effort from the Montreal trio that finds them applying a broader palette as well as a more personal perspective.
The Manchester producer’s latest is his most insular and atmospheric, a stunning exploration of ambience.
The UK black metal outfit deliver their best album after a slightly longer break, finding a sense of fun in overbearing darkness.
The hip-hop duo’s new full-length collaboration with The Alchemist feels like a shock to the system.
The veteran session bassist and indie producer/multi-instrumentalist pursue a path of groove-laden inspiration.
One of the most accessible and still boundless pieces in the group’s massive catalog.
A haunting, cinematic work that ponders life, death and wanderlust from indoors.
The New York band’s third album is their most lush, as well as their most grown up.
The Nashville singer/songwriter offers reflections of uncertainty on a more expansive scale on her third album.
The London septet’s highly anticipated debut showcases the ambitious new forms they imagine.
Tamara Lindemann and company’s fifth album is the most expansive and rich universe her music has occupied.
The Swedish gothic metal greats take a step into a bigger arena on their fifth album.
The Austin band’s second full-length is an even more blistering and intense hardcore exorcism.
The Efterklang vocalist aims for a bigger art-pop sound on his solo debut.
A hip-hop tag-team that thrives on both dazzling abstraction and jagged honesty.
Richard H. Kirk’s first album as Cabaret Voltaire in 26 years is as fun and as vital as they’ve sounded since the early ’80s.
