Album of the Week
Every album that’s earned Treble’s coveted Album of the Week designation.
Tamara Lindemann and company’s fifth album is the most expansive and rich universe her music has occupied.
The Austin band’s second full-length is an even more blistering and intense hardcore exorcism.
The Efterklang vocalist aims for a bigger art-pop sound on his solo debut.
A hip-hop tag-team that thrives on both dazzling abstraction and jagged honesty.
Richard H. Kirk’s first album as Cabaret Voltaire in 26 years is as fun and as vital as they’ve sounded since the early ’80s.
The ambient composer follows up a celebratory lounge-disco album with a mournful set of ghostly loops.
The infrequently operating electronic jazz-rock outfit struts with gravitas on their latest iteration.
The L.A. noise rap trio deliver an immediate set of horror-hip-hop thrills interspersed with weird, harsh terror.
The experimental psych-rock duo’s fourth album is their biggest and most impressive set of excursions to date.
Stevens offers new challenges with his new electronics-tinged work, as well as a heavier emphasis on protest-inspired lyrics.
Dominick Fernow (Prurient) crafts a stunning, eerie set of atmospheric beats under his techno pseudonym.
The Finnish band deliver a thrilling, unabashedly weird set of psychedelic rock.
A familiar yet still rich set of songs from a voice we can trust.
The British producer’s second album is a document of great growth and bigger bangers.
Young Jesus complete the transition from indie to art rock on their most ambitious album to date.