Album Reviews
The electronic/jazz fusion group’s new dual-release album continues an emphasis on their hybrid sound.
A feelgood soul prescription with a chaser of contemporary R&B and disco.
The prolific guitarist returns with his second of four LPs this year, focusing on covers.
An electronic collaboration that hones in on the detail of the everyday.
This collaborative work from two experimental/noise artists is hypnotic, even oddly accessible in its best moments.
Daughters’ frontman delivers a debut solo album full of harrowing noise and anxiety-ridden narratives.
Kris Esfandiari’s doom metal project speaks to the superlative quality of the group’s power.
A bite-sized sampling of the NYC shoegaze/noise-rock group’s well-tuned sonics.
The slacker rock princes’ latest feels shaped and waxed rather than caked in fuzz.
A set of “lost” songs from the legendary punks that feels as strong as anything they’ve released.
Staples returns after three years with another concise but intensely focused set, produced by Kenny Beats.
Maria Taylor and Orenda Fink’s first album in 10 years remains true to their whisper core aesthetic.
The prolific Nashville outfit continues apace with a meditative and atmospheric new set of songs.
A sunnier pop record from George Lewis Jr., just in time for summer listening.
Madeline Johnston’s follow-up to last year’s Forever feels like a companion album.