Album of the Week
Every album that’s earned Treble’s coveted Album of the Week designation.
The two heavy acts come together not to make noise but to draw on folk tradition with their own unique interpretations.
Camae Ayewa’s new full-length is an embrace of heady, accessible sounds without softening the poignancy of her words.
The UK rapper’s fourth album is her most ambitious and personal yet, balancing internal monologue with big arrangements.
Kevin Martin merges dancehall and hip-hop with a heavy metal intensity that makes this feel like his heaviest to date.
The California black metal band finally goes full shoegaze and it’s glorious.
Kristin Hayter strips away the heaviest elements of her sound to expose an even darker terror.
Kris Esfandiari’s doom metal project speaks to the superlative quality of the group’s power.
Nandi Rose continues a streak of wonderfully melancholy albums with a greater emphasis on electronics.
The London R&B collective’s third album in one year is shorter, grittier, but with a sense of playfulness amid the realism
The Atlanta singer/songwriter delivers a warmly intimate set of songs that feel like summer.
Ben Chasny delivers an album of rock and folk extremes, both meditative and manic.
Michelle Zauner’s third album finds her embracing joy with a vibrant sound to match.
The UK producer’s sophomore album feels genuinely futuristic and disorienting in truly innovative ways.
The video for “John L,” off black midi’s volatile second album Cavalcade, attempts to visually…
The Tuareg guitarist/songwriter delivers an album that radiates warmth even as it soars to psychedelic heights.
A work of Afro-Caribbean jazz Afrofuturism that suggests an ebb and flow, an expansion and contraction of the London band’s universe.