Album Reviews
An encore presentation of the multi-national post-punk group’s magic.
James Murphy and company’s first album in seven years is more mournful but still groovy.
A sugary escape from reality.
A clever, self-aware slice of indie rock.
The Atlanta punk trio blends their bratty garage rock past with a mature new songwriting approach.
The Massachusetts indie rock outfit returns with a sharp set of guitar-driven tunes that are snappy and self-aware.
The noise-punk trio’s Sub Pop debut is a bracing and powerful set of distorted anthems.
The Canadian indie rock outfit is more or less where they’ve always been, sticking to middle-of-the-road guitar jams.
The hardcore outfit incorporates a greater degree of experimentation and dissonance into their punk fury.
The Hoboken indie rock trio returns to the familiar well of the covers album, with delightful results.
The Mississippi-born rapper establishes his Southern galaxy as its own weird, hot, funk-filled world.
On the second of his two-album saga in 2013, JT keeps ambition high but misses the mark more often.
Analog enchantment.
Electronic arts.
Fortress of brutality.
The young voice of an old soul.
Turn me back on, dead man.
A riddle wrapped in a brown dwarf.
Freak-out on both sides.