Every album that’s earned Treble’s coveted Album of the Week designation.
The Chicago group’s fusion of Latinx music with jazz, soul, surf rock and psychedelia transcends.
The Maryland grindcore outfit push themselves toward the farther edges of extreme music while perfecting their aesthetic.
The two heavy acts come together not to make noise but to draw on folk tradition with their own unique interpretations.
Camae Ayewa’s new full-length is an embrace of heady, accessible sounds without softening the poignancy of her words.
The UK rapper’s fourth album is her most ambitious and personal yet, balancing internal monologue with big arrangements.
Low still live in hope, but it’s surrounded by a breathtaking cacophony.
Kevin Martin merges dancehall and hip-hop with a heavy metal intensity that makes this feel like his heaviest to date.
The California black metal band finally goes full shoegaze and it’s glorious.
A harmonious intersection of indie pop and doom metal.
Kristin Hayter strips away the heaviest elements of her sound to expose an even darker terror.
Kris Esfandiari’s doom metal project speaks to the superlative quality of the group’s power.
An expansion of Dave Harrington and Nicolas Jaar’s slowly expanding universe.
Nandi Rose continues a streak of wonderfully melancholy albums with a greater emphasis on electronics.
The London R&B collective’s third album in one year is shorter, grittier, but with a sense of playfulness amid the realism
The Atlanta singer/songwriter delivers a warmly intimate set of songs that feel like summer.
Tia Cabral’s third album is a lush and cinematic new frontier.
Ben Chasny delivers an album of rock and folk extremes, both meditative and manic.
Michelle Zauner’s third album finds her embracing joy with a vibrant sound to match.
The UK producer’s sophomore album feels genuinely futuristic and disorienting in truly innovative ways.
The video for “John L,” off black midi’s volatile second album Cavalcade, attempts to visually…