Album of the Week
Every album that’s earned Treble’s coveted Album of the Week designation.
The Swedish gothic metal greats take a step into a bigger arena on their fifth album.
The Austin band’s second full-length is an even more blistering and intense hardcore exorcism.
The Efterklang vocalist aims for a bigger art-pop sound on his solo debut.
A hip-hop tag-team that thrives on both dazzling abstraction and jagged honesty.
Richard H. Kirk’s first album as Cabaret Voltaire in 26 years is as fun and as vital as they’ve sounded since the early ’80s.
The ambient composer follows up a celebratory lounge-disco album with a mournful set of ghostly loops.
The infrequently operating electronic jazz-rock outfit struts with gravitas on their latest iteration.
The end result of an inspired collaboration that fuses two sonically different but creatively attuned artists into a triumphant metal LP.
The L.A. noise rap trio deliver an immediate set of horror-hip-hop thrills interspersed with weird, harsh terror.
Spirit Adrift is a majestic force of heavy metal. Though there’s no shortage of doom…
The experimental psych-rock duo’s fourth album is their biggest and most impressive set of excursions to date.
Stevens offers new challenges with his new electronics-tinged work, as well as a heavier emphasis on protest-inspired lyrics.
The Finnish band deliver a thrilling, unabashedly weird set of psychedelic rock.
The New York trio’s fourth album is at once their most visceral and nuanced set of songs.
The British producer’s second album is a document of great growth and bigger bangers.
Young Jesus complete the transition from indie to art rock on their most ambitious album to date.
The late Songs:Ohia and Magnolia Electric Co. songwriter’s set of previously unreleased recordings harbor some of his most shadowy dirges.
The Chicago post-punk group’s second album goes to weirder places and finds greater catharsis in its groove.