Album of the Week
Every album that’s earned Treble’s coveted Album of the Week designation.
The Italian death metal band’s debut album evokes vivid horror art cinema in their psychedelic compositions.
Jaar’s third album in one year (so far) is one of his most fascinating and enigmatic.
A short, ripping debut from the Austin metal trio—one that’s definitely going to sound great live.
The New Orleans band rebuild punk rock in their own image on their intense second LP.
Bridgers’ sophomore album, for all its heaviness and sorrow, is a source of hope rather than despair.
Killer Mike and El-P deliver their fourth, forceful set of topical and speaker-destroying apocalypse boom-bap.
The Australian band’s sophomore full-length is both a homecoming and a cathartic release of energy.
Isbell’s latest more fully feels like the work of a proper band, one whose sound truly comes into its own here.
The light outweighs the darkness for the first time on this stunning new record from Mike Hadreas.
The second half of the singer/songwriter’s epic, transcedent double-LP reveals the expanse of his vision.
The North Carolina group’s third album is a potent noise-rock exorcism.
Apple’s long-awaited fifth album is the most potent distillation of her essence yet.
The Finnish band explore new stretches of dark, cosmic psych-metal on their fifth album.
The pop artist’s full-length debut finds her emerging fully formed with a mesmerizing set of songs.
The art pop iconoclast changes shape once again, fully embracing their inner rock star.
The bass virtuoso offers a strong but concise balance of grief with silliness on some of his most enjoyable songs to date.
Nandi Rose’s fourth album finds her delivering her most poetic vision to date.
A powerful, emotional spiritual jazz album that reflects the tension of our times.