Album Reviews
The Cleveland indie rock stalwarts project a sense of power in the darkest of times.
Benjamin John Power dials back the intensity on this set comprising two lengthy compositions.
The New York band’s third album is their most lush, as well as their most grown up.
Maya Bouldry-Morrison’s latest EP rounds out a trio with some of her most authentic and personal pieces yet.
A more subdued version of the band arrives on their first new album in seven years.
A sprawling, massive prog piece in three variations, which feels strangely like epic pop music.
The best sounding and most dynamic The Hold Steady’s ever been on record.
The Nashville singer/songwriter offers reflections of uncertainty on a more expansive scale on her third album.
The Glasgow group’s 10th album is as much a career summary as a document of change.
The horror icon makes his electronic series into a trio with a new set of soundscapes.
The Belgian metal group dive deeper into goth and industrial textures on their latest
Alexander von Meilenwald’s latest under the Beverast mantle leans heavy on goth and post-punk aesthetics.
The London septet’s highly anticipated debut showcases the ambitious new forms they imagine.
Steven Wilson‘s new record The Future Bites places itself in a curious lineage of Wilson’s…
Two jazz maestros of different generations come together for something subtle and sublime.
The 20-year-old singer/songwriter’s debut shows talent and promise of greatness to come.
The singer/songwriter and new mother shares a subtly rich set of songs from her new home in California.
Tamara Lindemann and company’s fifth album is the most expansive and rich universe her music has occupied.