Album of the Week
Every album that’s earned Treble’s coveted Album of the Week designation.
The Sa-Ra Creative Partners member returns after a decade with a years-in-the-making set of psychedelic soul.
The Richmond metal band continue to defy expectations while delivering a richer emotional experience.
The Belgian trio’s second album is as powerful a rock album as has been released in years.
The UK art-rock outfit, slimmed to a duo, turn their intricate layers into a more accessible form of avant pop.
A vision of future jazz from the Shabaka Hutchings-guided electro-jazz trio.
Ms. Knowles puts grown-folks’ blues and concerns into a consistently stunning beat-tape format.
The Philadelphia deathpunk outfit’s full-length debut makes rowdy fun out of classic heavy metal and goth rock.
The Australian/German post-punk group emerges from cold storage with a compelling, stellar set of gloom.
The Sons of Kemet tuba player breaks out on his own with a set of grime- and bass-influenced grooves.
And industrial hellscape made all the more pop-friendly with a surprising accessibility.
The L.A. trio’s latest is their biggest, boldest and most grown-up album.
The Atlanta band’s seventh album yields great beauty from dark meditations.
The dawn of a new experimental phase for the singer/songwriter, one with a brighter outlook.
This under-the-radar noise rock supergroup delivers a set of brutality and nuance.
A blistering, 23-minute hardcore record that blurs the lines between screamo and black metal.
Vince gets conceptual in this brief “not an album” album that balances entertainment with something deeper and more painful.
Julien Baker, Phoebe Bridgers and Lucy Dacus combine their talents on a stunning new collaborative EP.
The Los Angeles art-pop artist delivers a stunning expression of warmth amid chaos and disorder.
This loose, improvisational session from Ruban Nielson and company is a complete 180 from their last effort.