Album of the Week
Every album that’s earned Treble’s coveted Album of the Week designation.
Singer/songwriter’s second album is both heartbreaking and breathtaking, and more importantly, rocks pretty hard.
Fifty is the new 30 for Mark Kozelek, as his second band reach a high-water mark in their catalog.
UK singer Katy B approaches genre transcendence while showing off a greater degree of songwriting sophistication.
Dee Dee Penny & Co. take a big step forward on this darker set of dream-pop gems.
The sound of Darren Cunningham’s possible retirement, or the peak of a career spent pursuing bold, powerful sounds.
NYC band’s rollicking post-hardcore debut zigs, zags and packs a hell of a wallop.
Following years of putting forth a carefully crafted image, Beyoncé gets real, gets dirty and shows off everything she’s capable of.
An incredible, lost German disco recording—unreleased until now—is resurrected and given new life thanks to Captured Tracks.
Delivered as another surprise free release without promotion, Death Grips’ fourth album bangs hard with more emphasis on electronics.
New York group embodies a certain classic indie rock aesthetic, but the music is an infectious sound all their own.
James Leyland Kirby offers a different shade of darkness than his Caretaker alias, indulging in harsh industrial dubscapes.
Montreal indie rock troupe’s fourth album is a double, complete with interwoven concepts, production by James Murphy, and solid beats.
New York black metal group adds Krallice’s Nick McMaster on second album, stretch limits to strange new places.
Montreal producer tones down the noise, but in its place offers some of his tensest, eeriest sounds to date.
On his latest LP, the Detroit emcee delivers a magnum opus both harrowing and more mature than ever.
Los Angeles sister trio arrive fully formed, with a gorgeous set of pop tunes on their debut.
Glasgow synth-pop trio’s full-length debut reveals full potential of early singles.
Callahan still sounds warm and earthy on his fourth under his own name, but shrouded in a new layer of darkness.
For her fourth album of dark art-pop, the LA artist marries electronics to crushing doom for her best set of songs yet.
On her latest, Case taps into some emotional vulnerability and comes out swinging.