Every album that’s earned Treble’s coveted Album of the Week designation.
After 14 long years, D’Angelo returns with the album of our time.
The silver- and acid-tongued rap succubus personifies the axiom ‘better late than never.’
The Manchester producer pushes his dub techno sound into deeper extremes — both noisier and more accessible.
The Mississippi-born rapper establishes his Southern galaxy as its own weird, hot, funk-filled world.
Portland blackened doom-slingers tap into ornate gothic sounds for their amazing new album.
Killer Mike and El-P step up their game, enhancing their production and inviting more guests while having the time of their lives.
A terrifying and overwhelming trip through avant garde doom metal majesty.
The British singer and songwriter showcases the fine art of understatement on her gorgeous second album.
The Danish post-punk band embraces new sounds and grows more sophisticated with their songwriting.
A gorgeous and hypnotic electronic masterpiece that uses house beats as its central framework.
A masterful art-pop record that fleshes out Mike Hadreas’ emotional songs with a big sound.
DFA Records’ longest running act reaches a new peak of progressive disco artistry.
A big step forward for the singer/songwriter through simplicity and, simply, a great set of songs.
While metal goes through its midlife crisis, the Portland doom trio continue to age gracefully.
The Staten Island indie rockers start fresh in a sense, and tap into long-held grief on their incredible new record.
Little Rock quartet’s second is a triumph of doom metal ambition, as well as an album that transcends it.
Following the intrigue of her first two EPs, the UK R&B artist expands her approach and introduces another layer of mystique.
Refreshed after a four-year absence, Spoon return on a new label, with a new album, and a new sense of purpose.
Singer/songwriter’s latest is her first album in six years as well as the first since Rilo Kiley’s breakup; it’s also her best.
Seattle duo’s second album is another strong argument that they’re the future of hip-hop.