Album Reviews
Hans Peter Lindstrøm‘s career has been anything but linear, not an arc so much as…
The shortest and most accurate way to describe Virus’ Memento Collider would be “alternate dark-dimension…
The drought is over, for now. Aphex Twin has already released a total of four…
The Richmond, Virginia sludge metal outfit deliver their strongest and biggest statement.
There’s usually no good reason to expect new music after a 16-year absence. Australian plunderphonics…
In case you haven’t heard—and if you haven’t, we honestly don’t know where the hell…
In eponymous fashion, Frameworks’ latest truly smothers the listener, yet stops just short of suffocation.…
In high school I would angle my way between wobbly phalanxes of kids while Bikini…
Natasha Khan’s latest concept-based work is a haunting narrative album that blends grief, romance and great songwriting.
Listening to the sixth LP from Garbage, Strange Little Birds, feels much like rooting for…
Blood Orange’s third album, Freetown Sound, opens in jarring fashion on “By Ourselves.” A sampled…
Buy at iTunes While La Isla Bonita has been described as Deerhoof’s entry into garage…
The R&B auteur makes his return with a set of summery, synth-laden jams, seven years after its predecessor.
Within the first five minutes of YG‘s new album Still Brazy, the Compton emcee asks,…
Where does an experimental hip-hop artist go after winning a Tony? Back to making some…
When discussing what goes into great songwriting, it’s all too easy to focus on the…