Album Reviews
There’s a constant sense of freedom throughout the jazz trumpeter’s latest.
Tera Melos’ Nick Reinhart embraces his more immediate side on Disheveled Cuss’ debut.
Bridgers’ sophomore album, for all its heaviness and sorrow, is a source of hope rather than despair.
Primitive Man’s Ethan McCarthy delivers a blistering and awe-inspiring noise album.
The London singer/songwriter’s debut album feels soothing and reassuring in our present moment.
The Savages vocalist’s solo debut is erotic, uncompromising, and something altogether different.
Killer Mike and El-P deliver their fourth, forceful set of topical and speaker-destroying apocalypse boom-bap.
Porter adds human voices to his repertoire of dark ambient sounds, and the result is all the more terrifying.
The second installment of Light in the Attic’s series on Japanese pop of the ’80s feels like an optimistic relic.
The second installment of Light in the Attic’s series on Japanese pop of the ’80s feels like an optimistic relic.
A 35-minute course that feels like part of an even fuller meal.
A semi-reunion for members of Fugazi that presents something entirely new and promising.
The Australian band’s sophomore full-length is both a homecoming and a cathartic release of energy.
An inter-generational celebration of jazz and hip-hop.
A highly enjoyable album that stays well within its boundaries.
The Austin band’s first new album in a half-decade is impactful with a feather’s touch.
The Texas-born, California-based singer/songwriter channels the spirit and romance of the Canyon on her fourth album.