The partners in music and life start the mutiny on the dance floor.
The Australian group’s second LP is a necessary piece of psychedelic post-punk weirdness.
A somewhat successful but single minded effort of abrasive noise rock.
A quick, grounding listen that speaks like gospel.
A two-track EP of pure violence.
Jacob Bannon of Converge assembles a proper band for his other project, and it grows into something impressive.
The trio’s ninth, St. Vincent-produced album is both a testament to their enduring power and ability to leave their comfort zone.
An affirmation that the Canadian jazz-prog group is the real deal.
An album of heaviness but lacking in focus.
A simple set of folky songs that revel in their own existence.
A companion piece to Marc Richter’s early 2019 offering, this short offering expands his palette.
The second effort from the post-punk legends since reuniting is their best in decades.
The Congolese group’s latest is a stunning polyrhythmic blend of lo-fi sounds and high-energy dance music.
The debut album by this UK seven-piece jazz collective is warm, inviting and exciting all at once.
The band’s best album is also their least directly black metal.
An innovative and impressive presentation that shows the post-punk icons continuing to evolve.
The New York rapper balances surrealism with touching emotions better than most on his latest.
The dark synth-pop duo come off a career high to prove they’re just getting warmed up.
The UK producer delivers a brief set of grown folks music fusing jazz with broken beat.
The Canadian death metal outfit accelerate their progression on their outstanding third LP.