The new singles comp from the electronic duo rivals their proper studio albums for being their best work.
The singer/songwriter’s fourth album is at once her biggest and most intimate, a massive expression of deeply personal conflicts.
The Berlin-based producer goes her own way on this patiently crafted, spacious electronic set.
One of the strongest pieces of avant garde rock in recent memory.
The Seattle band let in more space and let off the gas a little on their fourth album.
The Norwegian singer/songwriter tackles questions of human existence on her latest.
The Irish noise-rock outfit returns after four years with an even harsher, stranger set of music.
The London keyboardist’s second album is a boisterous and joyful fusion.
The oddball hip-hop artist tones down his most aggressive impulses but raises the bar.
Seven tracks of white-hot aggression and frustration.
The legendary indie rock outfit’s latest is their first in years to stand strongly against their early material.
Anthony Gonzalez returns to the atmospheric, cinematic electronics of past M83 works.
The Malian desert blues band creates a set of music that revels in its subtlety.
A soulful song of redemption with truth that’s hard to fake.
The Philly singer/songwriter’s follow-up to Rocket is a dreamy, druggy and diverse indie mixtape.
Two UK groups come together for a collaboration that’s heavy both musically and emotionally.
Wolfe’s gentlest material harbors some of her heaviest beneath the surface.
The eponymous opening track of The Highwomen’s eponymous debut album is so arresting and deeply…
Natasha Khan returns to a more direct, immediate form of pop with her latest enchanting full-length.
Strut reissues its flagship disco/dancepunk compilation for the label’s 20th anniversary.