The origin point of metal as well as the mainstream’s misinterpretation of it
It’s a high enough hill to climb to be the absolute best at what you…
James Murphy and company’s second album is a record about adulthood—that you can dance to
Takiaya Reed discusses the duo’s distinctive anti-colonial heavy music, conveying emotion rather than explicit verbal messages
When the veteran group found catharsis in confusion and noise
With the oddball constructions of his 1996 album, Aphex Twin left his mark on the pop zeitgeist
An imperfect view of the past through the filter of the future
The debut album by the Scottish duo is a psychedelic journey of memory and illusion
U2 looked to America, the inspiring and the infuriating, on their fifth album.
The Australian band discusses their open-ended approach, growing stable and going through hell
Tom Waits is a character mistaken for a caricature. He’s alternately viewed as whiskey-drunk boho…
The most personal album of Earl’s career is also his most musically innovative
We spoke to the band’s Valentine Caulfield about caves, sirens, revolution and freedom
I have some confessions to make. My first confession is that I used to say…
