The Toronto group hammers death metal into their own shape on their second album.
Daniel Lopatin’s first proper pop album. A weird-ass pop album.
The Washington D.C. post-punk trio builds on their early releases with a dynamic and exciting debut full-length.
Afrobeat grooves collide with heavy stoner rock riffs in the L.A. band’s second full-length in just a year.
A great beer album in death metal form.
The funniest goth artist maintains his weird trajectory.
A big-budget, confident follow-up to the teenage Baltimorean’s fuzzy debut.
A darkly atmospheric black metal album haunted by the American west.
An audaciously vulnerable, majestic debut album.
A juxtaposition of the doom metal trio’s most punishing and transcendent material.
The UK singer/songwriter delves further into abstract, yet emotional soundscapes.
On Pusha’s surprise-released new seven-track album, he’s a walking sneer.
A brief showcase of the Norwegian sound artist’s ability to create slow-burning music.
An album of great beauty, wrapped around cautionary tales and inscrutable metaphors.
The Swedish metal troupe finally go full pop star on fourth album.
A funky, loose follow-up to Yussef Kamaal’s sole jazz-funk offering.
The most nakedly personal album Josh Tillman has released to date, as well as the most vulnerable.
A pretty enough collection of acoustic reworkings that don’t always feel like necessary additions.
A dark new post-punk direction from the former frontman of Coliseum.
The Gothenburg death metal icons still have enough fire to keep heads banging.