Electronic

The Juan Maclean The Brighter the Light review

The Juan Maclean : The Brighter the Light

The new singles comp from the electronic duo rivals their proper studio albums for being their best work.

rRoxymore Face to Phase review

rRoxymore : Face to Phase

The Berlin-based producer goes her own way on this patiently crafted, spacious electronic set.

A Winged Victory for the Sullen new album 2019

A Winged Victory For the Sullen announce new album, The Undivided Five

Hear the ambient duo’s new “double a-side.”

quiet dawn movement review

Joe Armon-Jones : Turn to Clear View

The London keyboardist’s second album is a boisterous and joyful fusion.

Mogwai as the love continues

M83 : DSVII

Anthony Gonzalez returns to the atmospheric, cinematic electronics of past M83 works.

Hospital Fest 2019

Tomb Mold, Andy Stott to play Hospital Fest

Plus Pain Jerk, Akitsa, Eternal Champion, Becka Diamond (DJ set) and more.

Bat For Lashes : Lost Girls

Natasha Khan returns to a more direct, immediate form of pop with her latest enchanting full-length.

Disco Not Disco review

Various Artists : Disco Not Disco

Strut reissues its flagship disco/dancepunk compilation for the label’s 20th anniversary.

rRoxymore Essential Track

rRoxymore’s “Passages” is a future-dub wobbler

The first single from the producer’s upcoming debut album is pure dystopian funk.

a certain ratio 1982 review

!!! : Wallop

The Sacramento dancepunk troupe continue to set themselves apart as the genre’s fun-loving tricksters.

FKA Twigs tour dates

FKA Twigs announces fall tour dates

Tour dates announced in support of upcoming album Magdalene

Octo Octa Resonant Body review

Octo Octa : Resonant Body

An honest dive back into classic Chicago house and breakbeat sounds with electrifying results.

Depeche Mode Personal Jesus 30th anniversary

Depeche Mode’s “Personal Jesus” caused a fervor

How the band’s biggest single preceded a riot.

Moor Mother new album 2019

Moor Mother’s “After Images” is an empowering march for the darkest times

The Philadelphia artist pulls the bottom out from the comfortable and apathetic.