Album of the Week
Every album that’s earned Treble’s coveted Album of the Week designation.
The Canadian ambient artist moves away from heavier, darker aural sculpture for ethereal transcendence.
The Brooklyn post-punk outfit’s fourth album is a high-energy examination of human feeling.
The Portland duo’s attempt at the “grossest pop album of all time” is a success.
The British techno veterans get loose and happy on their ninth studio LP, no lager necessary.
The bass virtuoso and Grammy winner finds her funky inner child and runs wild.
The New York City punk quartet creates community from frustration on their latest.
The Finnish psychedelic metal band further explores the possibilities of their sound.
Ye drops the noise and negativity of Yeezus and emerges with an imperfect but consistently compelling work.
The noise-punk trio’s Sub Pop debut is a bracing and powerful set of distorted anthems.
Aaron Maine and Greta Kline embrace change again with a set of soulful and sultry synth-driven tracks.
The UK producer makes colossal industrial beatscapes that sound like the destruction of planets.
The London post-punk group follows up their dynamic debut with an even fiercer, weirder collection of dangerous love songs.
The Thin White Duke’s final album is a sublime final chapter in his vast and powerful discography.
The psych-metal band returns with a restatement of purpose and their most emotionally charged LP yet.
The Boston-based doom metal band serves up a thrilling adventure through towering riffs and impeccable songwriting.
Alejandro Ghersi’s follow up to last year’s Xen is more fractured than before, but more cohesive and rewarding.
On his latest release, Daniel Lopatin is caught in a time warp characterized by cinematic outsiders.
The Philadelphia death metal troupe pummel with artistry on their melodic, complex third album.
The singer/songwriter’s outstanding fourth album is one of her most concise yet complex.
The California/Oregon metal supergroup achieve a crusty triumph on their second full-length.