Album of the Week
Every album that’s earned Treble’s coveted Album of the Week designation.
Lost to time and label politics, the industrial legends’ lost album is finally delivered in a form worthy of its reputation.
The Detroit post-punk outfit’s third album is perfectly cathartic and magnificently brooding.
The California black metal band amplifies both the beauty and darkness in their powerful new work.
The Glasgow synth-pop trio soars even higher, and gives a more heroic performance on their new LP, our Album of the Week.
The progressive math rock trio find a new groove in danceable, hypnotic pulses.
Yannick Ilunga’s long-awaited debut finds the art-pop artist delivering a fully realized statement.
Damon Riddick follows-up his career-launching funk box set with a slightly more concise, emotional groovefest.
Dan Bejar’s latest full-length places his intricate lyrical wordplay in a classic-rock context.
Denmark artist Amalie Bruun’s Relapse debut is a stunning summary of generations of black metal, and a new path forward.
The Los Angeles noise rock band dials back on the abrasion and doubles down on industrial dance beats.
The New Jersey punk band takes a 90-minute, three-LP journey.
The Chicago noise-metal band’s new album finds fertile ground in the sound of decay.
Kevin Parker matures as a songwriter on his new set of brilliant psychedelic pop songs.
The Japanese post-hardcore group breaks a five-year silence with their most immediate set of music in years.
The 21-year-old rapper details a dark portrait of his home city of Long Beach on this powerful double album.
The New Hampshire black metal band launches into a powerful, emotional and human space on their new album.
The Winnipeg trio puts aside their metal tendencies for one badass, blistering set of noise rock.
Chance the Rapper tables Acid Rap II in favor of a smooth and soulful jazz-funk diversion.
The UK beatmaker and xx member finds his own dancefloor-friendly path of chromatic, vibrant pop.