Tamaryn’s newest full-length exudes their usual confident mystique, but in a cleaner, pop production style.
The Hoboken indie rock trio returns to the familiar well of the covers album, with delightful results.
Damon Riddick follows-up his career-launching funk box set with a slightly more concise, emotional groovefest.
Australian garage rockers take their sweet time in finishing new music, but the wait pays off.
Abel Tesfaye’s second major-label album is a failed experiment, and a fucking mess.
Matthew Mondanile builds on the formerly lo-fi foundation of his solo project, with expansive flourishes.
The Baltimore duo make another beautiful, slow-moving record that’s a little too familiar.
The enigmatic singer/songwriter scales back after a double album, delivering an intimate, emotional piece of music.
The former Dirty Projector returns six years after her debut EP with an eclectic and spiritual set.
The enigmatic art-pop/R&B artist drops an empowered and abrasive EP without notice, and it’s incredible.
Dan Bejar’s latest full-length places his intricate lyrical wordplay in a classic-rock context.
The Ohio-based accidental supergroup’s new album is pure emotional catharsis in a catchy package.
Debut album by metal-leaning post-punks is heavy on both drama and riffs, maintaining a tricky balance.
The Texas stoner metal outfit find new avenues and explorations within their doom-influenced sound.
The Louisville quartet keep the hits coming at three minutes a pop on their debut garage rock full-length.
Papa Emeritus and his unnamed ghouls return with their most melodic, accomplished paeans to Satan.
Denmark artist Amalie Bruun’s Relapse debut is a stunning summary of generations of black metal, and a new path forward.
The California synth-pop group makes an attempt at reinvention, without using much of a blueprint.
The NYC black metal outfit’s surprise new album is the most concise and potent distillation of their essence.
The ever-prolific Tim Kasher continues to evolve and explore, with a new set of riff-heavy songs.