Album Reviews
Los Angeles art-pop singer-songwriter provides some unpredictable companionship on her third album.
Space rockers stay heavy on 12th album, emphasizing riffs while continuing to build atmospheric space.
Another positive chaotic offering from Eugene Hutz’s gypsy-punk crew.
Newly reissued, Phil Elverum’s masterpiece maintains its spot as a lo-fi classic.
After one scrapped attempt, Stuart McLamb reinvents himself with another new approach.
Soft Metals don’t dive too deep, but nonetheless have a stunning surface on their latest.
JR Robinson’s post-metal outfit serves up a single, breathtaking 38-minute track.
The new effort by Cooper Crain’s electronic project is a pursuit of spacious, looping sounds.
UK duo delivers a knockout debut album anchored with singles but rich in texture.
Boston hardcore destroyers maintain their intensity on this new second full-length.
The natural world and hallucinogenics play a major role in Rose Windows’ Sub Pop debut.
Boston sludge metal group gets further away from crust punk and deeper into the murky depths.
Director’s new full-length musical set finds him collaborating with the likes of Lykke Li and others.
Jarboe, Maynard James Keenan and others lend their spooky vocals on this voice-heavy outing.
On their Relapse debut, the Dallas trio stir a heavy dose of space into their smoky doom-psych.
The UK duo of Benjamin John Power and Andrew Hung corral their noise into something immaculate.
After years of rowdy art-punk, The Icarus Line is having trouble moving forward on their latest album.
On their third album, Lightning Dust look backward to both the ’70s and ’80s to fill out their sound.
After transplanting to New York from San Francisco, Weekend go for darkness and focus on their sophomore album.