Treble 100: The Complete List
We’ve all been asked and answered some variation of the question at some point or another, at parties or in social media prompts, awkward first dates or possibly even job interviews: What are your desert island albums? In other words, identify the music that you couldn’t leave behind, were you to be exiled to some barren tropical locale with only—by some act of arbitrary benevolence—the limited entertainment of your choosing. Put simply, what are your all-time favorite albums?
The question isn’t meant to be taken literally—it’s just another way of asking someone about their favorite things. (Kind of like a Rorschach test with pop culture.) But one central truth is inescapable: For most of us, there’s no easy answer. In fact, the more music you listen to, the further you get from one. It leaves you to ponder riddles that, from an outside perspective, seem absurd, such as whether there’s a difference between the music you love the most and that which you consider the best? And how do you narrow it down to just the essentials? Or even, in the case of critic Langdon Winner, would you consider choosing an album like Captain Beefheart’s Trout Mask Replica as your desert island album, not because it’s your favorite, but because the complexity of it means having no choice but to engage with it? It’s a fair point.
As Treble looks ahead to our twentieth anniversary later this year (deep sigh), we’ve been thinking a lot about the music that we, collectively, consider essential. We’ve compiled a lot of lists of the best music of certain eras: the 1970s, the 1980s and so on. But we’ve never made a list of the Greatest Albums of All Time, for reasons you might imagine: Attempting to rank a mere 100 (or 500 or whatever) of the objective best albums ever made in the history of popular music—though let’s be honest, we’re probably talking 70 years at most—is impossible, for far too many reasons to get into here. Not that others haven’t tried. Rolling Stone famously published their own list of the 500 Best Albums of All Time (and Treble’s Virginia Croft made her own journey through all 500 albums). Consequence of Sound ranked their own 100 picks recently as well with some markedly different results. And way back when, for the real heads who remember, Stylus (RIP) ranked the bottom 100 of their top 200 albums of all time and mostly wrote about why those albums didn’t rank higher—a fact that makes me mourn a much more fun era of the Internet that’s sadly long gone.
Instead, we came up with a related, but different concept: Treble 100. All year, we’ll be revealing 100 albums we consider our collective favorites. These are albums we wouldn’t leave behind if we were relocating to a desert island or simply walking to the corner store. These albums shaped how we listen to music—and in many cases, they helped shape who we are in ways that extend beyond simply listening. They’re gateway albums, eye-openers, revelations and comfort spins. Whether they’re the greatest albums of all time is a matter of perspective, but that’s not the point—they’re our 100 favorite albums, and as such we’ll be exploring each one in its own in-depth essay, each album revealed one at a time until we reach number one. It’s going to take a while, but we want each album to get its own space and attention. And I, for one, am excited about both writing and reading about every single one.
Some notes on the process of organizing Treble 100: We each voted on our favorite albums of all time, and compiled and ranked the final results. We ultimately went with one album per artist to allow a somewhat more diverse selection of records. The list is ranked, for the sake of showing where consensus aligns, but the order isn’t really that important—they’re all important, to us anyway, and if you were to be handed crates full of these 100 records, you could start anywhere you wanted. That said, we do love a bit of anticipation and suspense. Also, on that note: Some canonical essentials might end up ranked below recent favorites—don’t worry about that too much. It doesn’t mean one is better than the other, just that certain albums resonated a little bit more deeply with some of us than others. This isn’t an attempt at replacing or correcting a canon at all, really, just a project intended to highlight the records we love most.
There will be surprises. While it’s unlikely anyone’s cross-referencing where any of these sit on our best-of-decade or best-of-year lists (and some of them never have!), the goal here is different, and the hierarchy translates differently. Not to mention there are three generations of writers involved in the project, some whose lists feature items dating back well before they were born, and some whose mostly comprise contemporary favorites. And there are some definite wild cards. But no one era, genre or aesthetic dominates, and that makes it that much more interesting.
The series will kick off next week with number 100, and will keep going every few days or so, until we run out of albums or decide to do another 100 (there’s always more music). Because we didn’t exclude albums we’ve recently written about, a handful of recent features will be republished as part of the series, though the vast majority of these essays will be brand new. We’re also publishing about one per month via our Patreon—so if you aren’t already a subscriber, you’ll want to get in on that. (We also accept tips!) The rest of them will be published right here, and each entry will be linked below, so you can catch up on any that you might have missed. It’s a long process, though, so you take your time.
That said, we can’t wait to begin.
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Note: When you buy something through our affiliate links, Treble receives a commission. All albums included are chosen by our editors and contributors.
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100. Converge – Jane Doe
99. Can – Ege Bamyasi
98. Tori Amos – Little Earthquakes
97. Modest Mouse – The Lonesome Crowded West
96. Songs: Ohia – Magnolia Electric Co.
95. Hüsker Dü – Zen Arcade
(Patreon exclusive)
94. Soundgarden – Badmotorfinger
93. James Taylor – JT
92. Arctic Monkeys – Whatever People Say I Am, That’s What I’m Not
91. Thou – Summit
90. Carly Rae Jepsen – E•MO•TION
89. Baroness – Blue Record
88. Taylor Swift – Red
87. Broadcast – Haha Sound
86. J Dilla – Donuts
85. Sleater-Kinney – Dig Me Out
(Patreon exclusive)
84. Talk Talk – Spirit of Eden
83. Peter Gabriel – So
82. Jorge Ben – África Brasil
81. Squeeze – East Side Story
80. Outkast – Stankonia
79. Lauryn Hill – The Miseducation of Lauryn Hill
(Patreon exclusive)
78. SOPHIE – Oil of Every Pearl’s Uninsides
77. PJ Harvey – Rid of Me
76. Paul Simon – Graceland
75. R.E.M. – Automatic for the People
74. Joy Division – Unknown Pleasures
73. King Crimson – Red
72. Mastodon – Blood Mountain
71. Portishead – Dummy
70. Elvis Costello & the Attractions – Imperial Bedroom
69. Sonic Youth – Daydream Nation
(Patreon exclusive)
68. Massive Attack – Mezzanine
67. M83 – Saturdays=Youth
66. Elliott Smith – either/or
65. George Michael – Listen Without Prejudice, Vol. 1
64. Earl Sweatshirt – Some Rap Songs
63. Tom Waits – Rain Dogs
62. Beastie Boys – Paul’s Boutique
(Patreon exclusive)
61. U2 – The Joshua Tree
60. Boards of Canada – Music Has the Right to Children
59. Fleetwood Mac – Rumours
58. John Prine – John Prine
57. The National – Boxer
56. Aphex Twin – Richard D. James Album
55. De La Soul – 3 Feet High and Rising
54. Low – Double Negative
53. Love – Forever Changes
52. LCD Soundsystem – Sound of Silver
51. Fela Kuti – Zombie
50. Deafheaven – Sunbather
(Patreon exclusive)
49. Black Sabbath – Paranoid
48. Iggy & The Stooges – Raw Power
47. Tears for Fears – Songs from the Big Chair
46. Nine Inch Nails – The Downward Spiral
45. Rage Against the Machine – Rage Against the Machine
44. Scott Walker – The Drift
43. Metallica – Ride the Lightning
42. Townes Van Zandt – Townes Van Zandt
41. D’Angelo – Voodoo
40. Cocteau Twins – Heaven or Las Vegas
(Patreon exclusive)
39. The Jimi Hendrix Experience – Are You Experienced?
38. Todd Rundgren – Something/Anything?
37. Charles Mingus – The Black Saint and the Sinner Lady
36. Nirvana – In Utero
35. Burial – Untrue
34. The Rolling Stones – Sticky Fingers
33. Bruce Springsteen – Born to Run
32. Björk – Post
31. Jason Isbell – Southeastern
30. Pink Floyd – Dark Side of the Moon
29. Kraftwerk – The Man-Machine
28. Nina Simone – Pastel Blues
27. Wilco – Yankee Hotel Foxtrot
26. Funkadelic – Maggot Brain
(Patreon exclusive)
25. Joni Mitchell – Blue
24. My Bloody Valentine – Loveless
23. Frank Ocean – Blonde
22. Depeche Mode – Violator
21. A Tribe Called Quest – The Low End Theory
20. Marvin Gaye – What’s Going On
19. The Clash – London Calling
18. Madvillain – Madvillainy
(Patreon exclusive)
17. DJ Shadow – Endtroducing…
16. Nick Drake – Pink Moon
15. Talking Heads – Remain In Light
14. Bob Dylan – Blonde on Blonde
13. Public Enemy – It Takes a Nation of Millions to Hold Us Back
12. Kendrick Lamar – To Pimp a Butterfly
11. Miles Davis – In a Silent Way
10. Kate Bush – Hounds of Love
9. Wu-Tang Clan – Enter the Wu-Tang (36 Chambers)
8. Stevie Wonder – Innervisions
7. The Beatles – Revolver
6. David Bowie – Low
(Patreon Exclusive)
5. John Coltrane – A Love Supreme
4. The Beach Boys – Pet Sounds
3. Prince – Purple Rain
2. The Cure – Disintegration
1. Radiohead – Kid A
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20 years. That’s 107 in music blog years. Congratulations and thank you for all that you have given us to think about and pointed us to listen to. I’m excited for this new series in a deeply irrational and unhealthy way.
This was such a pleasure to follow along with. I had a lot of free listening time on my hands at work over the past couple of years that allowed me to do some deep dives – so much so that what I thought my favourite found record from the list isn’t actually on it (Magnolia Electric Co. – Trials and Errors through the Songs: Ohia selection).
Thanks for the work, the submissions, the essays (I sent the Ride the Lightning essay to no less than three people). What a blast.